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In South Africa, during the days of apartheid, struggle songs became more than mere melodies; they evolved into a powerful form of expression and unity amongst those fighting against the injustices and racial segregation enforced by the government. This study explores Zahara’s song Phendula as a powerful musical plea for Africa’s healing, hope, and divine intervention. Using a descriptive literature review approach, the study examines the song’s lyrical composition, thematic significance, and socio-cultural impact within the South African and broader African context. Rooted in sociomusicology, the analysis investigates how Phendula reflects the lived experiences of marginalised communities facing poverty, social injustice, and emotional despair while also serving as a spiritual call for guidance and deliverance. The research draws from academic databases, journal articles, books, and music archives to explore the intersection of faith, music, and social transformation. Key themes include the role of music in healing, the evolution of struggle songs in post-apartheid South Africa, and Zahara’s artistic contributions to contemporary Afro-soul. The study also examines the song’s reception and its ability to inspire hope and resilience. Findings suggest that Phendula functions not only as a song but as a cultural and spiritual tool, resonating deeply with audiences who identify with its themes of divine intervention, perseverance, and collective struggle. This article concludes by highlighting the significance of Phendula as a form of social commentary and emotional release, reinforcing its enduring role in shaping African narratives of faith and healing.